Undergraduate Theatre
Undergraduate Theatre
2016 Spring Term
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- This course listing is informational and does not guarantee availability for registration.
- Please click through to view the class schedule to see sections offered for your selected term.
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INTRODUCTION TO ACTING
THEATRE 120
A study of basic principles and techniques of acting, including physical and vocal control and basic approaches to characterization.
Introduction to Creative Enterprise
THEATRE 166
Students will be introduced to successful creative entrepreneurship and the definition of creative enterprise in its many forms. They will consider what success means to them and practice visioning, goal setting and planning. Students will learn key entrepreneurial concepts through lectures, experiential learning and interaction with successful arts/creative entrepreneurs.
THEATRE ACTIVITIES (GA)
THEATRE 200
Recommended for the student who has an avocational interest in theatre and/or who wishes to experience the various aspects of theatre production as a breadth elective in the arts. Students may choose involvement in one or more areas of department-produced or student-produced plays, including acting, house management and promotional, scenery and costume construction, lighting, sound, and production crews. 40 hours of participation are required per credit. Not open to Theatre majors or minors. Repeatable. Repeat enrollments will be in other interest areas.
PRACTICUM - ACTING
THEATRE 201
Participation as an actor in a University Theatre production. Students are expected to assist in costume and scenery construction. In general, 40 hours of participation per half credit of practicum are expected.
PRACTICUM - DIRECTING
THEATRE 202
Participation as an Assistant Director, Production Stage Manager, Assistant Stage Manager or Dramaturg in a department-approved production. 40 hours of participation per half credit is required.
PRACTICUM - SOUND
THEATRE 203
Participation in department-approved productions as Sound Operator and/or Sound Designer/Engineer for productions requiring basic sound. 40 hours of participation per half credit is required.
PRACTICUM - STAGECRAFT
THEATRE 204
Participation in set construction and painting on department-approved productions. Departmental approval is required to work on Performance Crew, Properties or as Assistant Scenic Designer. 40 hours of participation per half credit is required. Theatre majors must take at least .5 credits in set construction and painting.
PRACTICUM - LIGHTING
THEATRE 205
Participation in the hanging and focusing of lights for department-approved productions. Departmental approval is required to register for Assistant Lighting Designer, Master Electrician, or Light Operator. 40 hours of participation per half credit is required.
PRACTICUM - COSTUMING
THEATRE 206
Participation in the construction of costumes for department-approved productions. Departmental approval is required to register for Assistant Costume Designer or Performance Crew. 40 hours of participation per half credit is required. Theatre majors must take at least .5 cr in costume construction.
PRACTICUM - MANAGEMENT/PUBLICITY
THEATRE 207
Participation in house management, ticket office management or publicity and promotion for department-approved productions. 40 hours of participation per half credit is required.
PRACTICUM - MAKEUP
THEATRE 208
Participation as Makeup Designer and/or on Performance Crew for department-approved productions. 40 hours of participation per half credit is required.
ACTING: ANALYSIS AND PERFORMANCE
THEATRE 220
A study of techniques of character analysis and development which seeks to explore and integrate the internal and external aspects of acting in order to develop a dynamic approach to the actor's craft.
SCRIPT ANALYSIS
THEATRE 225
A study of the basic elements of drama and how these elements combine to create a play. Particular emphasis will be placed on how to discover a valid interpretation of the playwright's intentions and transfer that interpretation to the stage. Required for all Theatre majors.
INTRODUCTION TO TECHNICAL THEATRE
THEATRE 251
Fundamentals of the technical aspects of scenery, costumes, and lighting for theatre and dance. Examination of the mechanical principles and techniques used in scenery, costuming, and lighting, stressing practical "hands-on" experiences. A minimum of 32 hours shop participation is required. Offered each spring*.
PRODUCTION PRACTICUM - ACTING
THEATRE 301
Acting a major role in a University Theatre/Dance Department production. Eligible roles are designated by the department prior to auditions.
PRODUCTION PRACTICUM - STAGE MANAGER
THEATRE 302
Participation as Stage Manager in all production conferences, auditions, rehearsals and performances of a University Theatre-affiliated production. Repeatable four times for a maximum of 8 credits in major/degree.
PRODUCTION PRACTICUM - SCENERY
THEATRE 304
Participation as Scene Designer or Technical Director in all research, production conferences, planning, painting and technical rehearsals for a University Theatre-affiliated production.
PRODUCTION PRACTICUM - LIGHTING
THEATRE 305
Participation as Lighting Designer in all research, production conferences, planning, focusing and technical rehearsals for a University Theatre-affiliated production.
PRODUCTION PRACTICUM - COSTUMES
THEATRE 306
Participation as Costume Designer and/or Costume Cutter/Technician in all production conferences, design meetings, pre-construction and construction work, and dress rehearsals of a University Theatre-affiliated production.
PRODUCTION PRACTICUM - SOUND
THEATRE 308
Participation as Costume Designer and/or Costume Cutter/Technician in all production conferences, design meetings, pre-construction and construction work, and dress rehearsals of a University Theatre-affiliated production.
PRODUCTION PRACTICUM - THEATRE MANAGEMENT
THEATRE 309
Participation as Ticket Office, Front of House or Promotions/Publicity Manager for a minimum of three consecutive productions of the Theatre/Dance Department in a single term.
PRODUCTION PRACTICUM - DIRECTING
THEATRE 312
Participation as a Director of a production approved by the department with responsibilities to include pre-production research and script preparation, supervision of production conferences and rehearsals, and presentation of a public production. Repeatable four times for a maximum of 8 credits in major/degree.
DESIGN II FOR THEATRICAL SCENERY AND LIGHTING
THEATRE 316
Building on the design foundations introduced in Introduction to Theatrical Design, this course will further develop the specific graphic communication skills, including drafting and related computer programs, required to express theatrical design principles in the realization of successful performance environments.
IMPROVISATIONAL DRAMA
THEATRE 325
A study of the techniques of non-scripted drama, including theatre games, improvised scenes, creative drama and story dramatization. Implications and uses of non-scripted drama for education and performance are explored through lectures, demonstrations and group participation.
TECHNICAL DIRECTION
THEATRE 354
Advanced study and practice of the principles of scenery construction, scene painting, technical drafting, planning and budgeting. A minimum of 50 hours of participation is required.
NON-PROFIT ARTS MANAGEMENT
THEATRE 362
A study of the duties and required skills of managers of various non-profit arts organizations. Areas of study will include structure of arts organizations, planning, programming, staffing, budgeting and marketing, with emphasis on fundraising, board development, and volunteer management. Assignments and projects will be geared toward students' specific needs and interests. Offered even numbered years.
APPLIED STUDIES IN ARTS MARKETING
THEATRE 363
A study of the duties and skills of marketing managers of both commercial and non-profit arts-related businesses, as well as the individual artist in the marketplace. Topics include marketing research, planning a marketing budget, promotions, media relations, advertising, corporate and media sponsorship, and audience development. Students will develop a comprehensive marketing plan for an organization or individual artist of their choice. Offered even numbered fall terms.
MULTICULTURAL DRAMA OF THE UNITED STATES (DV)
THEATRE 369
The course examines the theatrical forms and the dramatic literature of African-Americans, Asian-Americans, Latinos/as, and Native Americans, and places them in the context of American theater and U.S. social/political history.
DIRECTING II
THEATRE 433
The study and application of contemporary directing theories and an exploration of approaches to production styles; includes the direction of a 30-40 minute studio production.
ADVANCED STAGE DESIGN AND TECHNOLOGY
THEATRE 460
A course for the advanced student who wishes to pursue further study in scenic, costume or lighting design and/or technology. Each student, in consultation with the instructors, will choose 2 projects on which to focus. The lecture/labs will consist of work on those projects and lecture/discussions related to the projects. Required for B.F.A. Design/Tech students. Offered each spring. Repeatable three times for a maximum of 9 credits in major.
CONTEMPORARY DRAMA
THEATRE 478
Analysis of the trends and developments in the theatre of the past 30 years, including the impact of television, motion pictures and other forces on the theatre of today.
INTERNSHIP IN THEATRE PRACTICE
THEATRE 493
In cooperation with a designated theatrical organization and with previously established guidelines, participation in the production and/or management activities of a commercial or non-profit theatre operation.
SEMINAR
THEATRE 494
Variable topics. Group activity. An advanced course of study in a defined subject matter area emphasizing a small group in intense study with a faculty member. Repeatable. Offered on demand.
INDEPENDENT STUDY
THEATRE 498
Study of a selected topic or topics under the direction of a faculty member. Repeatable.
SENIOR PROJECT
THEATRE 499
A capstone project in which the student demonstrates proficiency in directing, acting, designing, promotion, playwriting or criticism on a major project proposed by the student and approved by the department. Repeatable.