2020 Fall Term
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INTERNATIONAL FILM APPRECIATION
This course seeks to expand the cinematic horizon of course participants and to expose them to historical, social, economic, and political issue of non-US cultures through film.
VISUAL CULTURE IN AMERICA
This course explores the history and enduring significance of visual culture in America. Themes the course will explore include the role of technology in visual culture, modern consumerism, cinematic representation, and the postmodern digital collage of contemporary culture.
GENDER AND FILM
Students will learn to critically view, consider, and describe films, with special attention to representations of sexuality and gender. The course will include instruction in gender theory and methods for deploying gender analysis in the context of film studies.
CRITICAL WRITING IN MULTIMEDIA CONTEXTS
In this course, students will learn to conceptualize, structure, and produce analytical writing in multiple forms within digital contexts. Since such contexts are often multi-modal--layered with visual images as well as sound--instruction will include the analysis and appropriation of the visual and auditory in critical writing.
LITERATURE ON FILM
This course examines the complex cultural work of adapting literature to film. Through critical analysis of narrative fiction - short stories, novels, plays, graphic novels - and the films they inspire, students will investigate the history, narrative, conventions, iconic elements, and cultural significance of literary adaptations to film. Repeatable with change of instructor.
TEXT AND IMAGE
This course is a theoretical and practical study of story-based visual media and how audiences understand what they see. It introduces principles of narrative and traces how these have changed (or not changed) through the evolution of both the media we consume and the nature of our media consumption. Primary materials include comics, tv, film, and video games.
Practical experience in writing scripts for cinema and/or television, with special emphasis on the creative, theoretical, and critical processes.
In Cinema Auteurs, students will learn to analyze film in international contexts. The course will either focus on a director whose work crosses national and language boundaries or compare two established film directors, one working in English and one working in another language. Repeatable with topic change.